Lapel pin
A lapel pin is a small pin often worn on the lapel of a jacket. Lapel pins can be ornamental or can indicate wearer's affiliation with an organization or cause. Before the popularity of wearing lapel pins, boutonnières were worn.
Medal
A medal or medallion is a small portable artistic object, a thin disc, normally of metal, carrying a design, usually on both sides. They typically have a commemorative purpose of some kind, and many are given as awards. They may be intended to be worn, su
Challenge coin
A challenge coin is a small coin or medallion, bearing an organization's insignia or emblem and carried by the organization's members.
Keychain
A keychain (also key fob or keyring) is a small ring or chain of metal to which several keys can be attached. The length of a keychain allows an item to be used more easily than if connected directly to a keyring.
Medal
A medal or medallion is a small portable artistic object, a thin disc, normally of metal, carrying a design, usually on both sides. They typically have a commemorative purpose of some kind, and many are given as awards. They may be intended to be worn, suspended from clothing or jewellery in some way. They may be struck like a coin by dies or die-cast in a mould.
A medal may be awarded to a person or organisation as a form of recognition for sporting, military, scientific, cultural, academic, or various other achievements. Military awards and decorations are more precise terms for certain types of state decoration. Medals may also be created for sale to commemorate particular individuals or events, or as works of artistic expression in their own right. In the past, medals commissioned for an individual, typically with their portrait, were often used as a form of diplomatic or personal gift, with no sense of being an award for the conduct of the recipient.
Main types
Numismatists divide medals into at least seven classes:
• Awards: awarded to a person or organization as a form of recognition for sporting, military, scientific, cultural, academic, or various other achievements. Military awards and decorations are more precise terms for certain types of state decoration. Military decorations are often in shapes such as crosses or stars, but are still loosely called "medals", as in the star-shaped American Medal of Honor.
• Commemoratives: created for sale to commemorate particular individuals or events, or as works of medallic art in their own right.
• Souvenirs: similar to a commemorative, but more focused on a place or event like state fairs, expositions, museums, historic sites, etc., and frequently found for sale within their respective souvenir shops.
• Religious: devotional medals may be worn for religious reasons.
• Portraits: produced to immortalize a person with their portrait; European portrait medallions sometimes bear the Latin word aetatis ("of his age") to describe the depicted person's age at the time of the portrait.
• Artistic: made purely as an art object. Plaquettes are often of this type.
• Society Medals: made for societies used as a badge or token of membership.
Features
Traditionally medals are stamped with dies on a durable metal flan or planchet, or cast from a mould. The imagery, which usually includes lettering, is typically in low relief, albeit often higher than on coins: Limited-edition medals may be struck in repeated impacts allowing more metal displacement than in coins produced for mass circulation in a single impact. Circular medals are most common; rectangular medals are often known as plaquettes. The "decoration" types often use other shapes, especially crosses and stars. These in particular usually come with a suspension loop, and a wide coloured ribbon with a clip at the top, for attaching to clothing worn on the chest.
The main or front surface of a medal is termed the obverse, and may contain a portrait, pictorial scene, or other image along with an inscription. The reverse, or back surface of the medal, is not always used and may be left blank or may contain a secondary design. It is not uncommon to find only an artistic rendering on the obverse, while all details and other information for the medal are inscribed on the reverse. The rim is found only occasionally employed to display an inscription such as a motto, privy mark, engraver symbol, assayer's marking, or a series number.
Medals that are intended to be hung from a ribbon also include a small suspension piece at the crest with which to loop a suspension ring through. It is through the ring that a ribbon is run or folded so the medal may hang pendent. Medals pinned to the breast use only a small cut of ribbon that is attached to a top bar where the brooch pin is affixed. Top bars may be hidden under the ribbon so they are not visible, be a plain device from which the ribbon attaches, or may even be decorative to complement the design on the medal. Some top bars are elaborate and contain a whole design unto themselves.
Bronze has been the most common material employed for medals, due to its fair price range, durability, ease with which to work when casting, and the ample availability However, a wide range of other media have also been used. Rarer metals have been employed, such as silver, platinum, and gold, when wishing to add value beyond the mere artistic depiction, as well as base metals and alloys such as copper, brass, iron, aluminum, lead, zinc, nickel, and pewter. Medals that are made with inexpensive material might be gilded, silver-plated, chased, or finished in a variety of other ways to improve their appearance. Medals have also been made of rock, gemstone, ivory, glass, porcelain, terra cotta, coal, wood, paper, enamel, lacquerware, and plastics.
History
In Europe, from the late Middle Ages on, it became common for sovereigns, nobles, and later, intellectuals to commission medals to be given simply as gifts to their political allies to either maintain or gain support of an influential person. The medals made be made in a range of metals, such as gold, silver-gilt, silver, bronze, and lead, depending on the status of the recipient. They were typically up to about three inches across, and usually featured the head of the donor on the obverse, surrounded by an inscription with their name and title, and their emblem on the reverse, with a learned motto inscribed round the edges. Such medals were not usually intended to be worn, although they might have been set as pendants on a chain. From the 16th century onward, medals were made, both by rulers for presentation and private enterprise for sale, to commemorate specific events, including military battles and victories, and from this grew the practice of awarding military medals specifically to combatants, though initially only a few of the much higher-ranking officers.
By the 16th century, the wearing of smaller medals on a chain was a persistent fashion for both sexes, and a variety of medals were produced commercially for the purpose, commemorating persons or events, or just with non-specific suitable sentiments. German artists had been producing high-quality medals from the beginning of the century, while the French and British were slower to produce fine work. However, by the late 17th century, most parts of Western Europe could produce fine work. Some medals were also collected, which continues to the present day. Official medals, from which specialized military awards descended, were increasingly produced, but the real growth in military medals did not come until the 19th century. Devotional medals also became very popular in Catholic countries. During the Reformation there had also been a vigorous tradition of Protestant medals, more polemical than devotional, which continued with the Geuzen medals produced in the Dutch Revolt.
Military medals and decorations
Military decorations, service awards, and medals are often mistakenly confused with one another. Decoration is a term for awards which require specific acts of heroism or achievement (such as the British Victoria Cross or American Silver Star), whereas a service award or campaign medal is awarded for serving in a particular capacity in a particular geographical area and time frame (such as the Iraq Campaign Medal). In either case, an award or decoration may be presented as a medal.
An order tends to be the most elaborate of military decorations, typically awarded for distinguished services to a nation or to the general betterment of humanity. Orders are distinguished from other forms of decoration in that they often imply membership in an organization or association of others that have received the same award. Two of the most well known and commonly awarded orders are the Légion d'honneur of France (military and civil) and the civil Order of the British Empire. The practice of conferring orders originates with the mediaeval fraternities of knighthood, some of which still exist and are still awarded. While most modern orders have no roots in knighthood, they still tend to carry over the terms of their historic counterparts, and terms such as knight, commander, officer, members, and so on are still commonly found as ranks. A military order may use a medal as its insignia, however, most tend to have a unique badge or a type of plaque specifically designed for an emblem.
The Medal of Honor is the highest military decoration awarded by the United States Government, and is an example of a decoration that is modeled as a military order, even though not expressly defining itself as one. It is bestowed on a member of the United States Armed Forces who distinguishes himself, "conspicuously by gallantry and intrepidity at the risk of his life above and beyond the call of duty while engaged in an action against an enemy of the United States." Each of the three departments of the American armed forces has a unique picture displayed on a medal, which is in turn displayed upon a star-shaped heraldic badge. The medal of the U.S. Army depicts the head of Minerva, the U.S. Navy medal shows a scene of Minerva doing battle with Discord, and the U.S. Air Force depicts the Statue of Liberty upon its medal.
Military decorations, including medals and orders, are usually presented to the recipient in a formal ceremony. Medals are normally worn on more formal occasions and are suspended from a ribbon of the medal's colours on the left breast, while a corresponding ribbon bar is to be worn to common events where medals would be inappropriate or impractical to wear.
Different metals
Traditionally, medals are made of the following metals, in order of decreasing value:
• Platinum
• Gold
• Silver, or silver-gilt, which is in fact used for Olympic "gold medals"
• Bronze
• Pewter
• Copper
• Tin
• Iron
Many medals were and are made in several different metals, either representing awards for different places in a competition, or standards or classes, as with the Olympic medals, or simply different price levels for medals made for sale or donation by the commissioner. Medals have historically been given as prizes in various types of competitive activities, especially athletics. The gold, silver and bronze Olympic medals for first, second and third places were first used at the 1904 Summer Olympics. At the 1896 event, silver was awarded to winners and bronze to runners-up, while at 1900 other prizes were given, not medals. The medals for the London 2012 Summer Olympics are the largest ever, reflecting a trend for increasing size in Olympic medals.
Medals as art
The first well-known great artist to create medals was the Italian painter Antonio Pisano, also known as Pisanello, who modelled and cast a number of portrait medals of princes and scholars in the 1440s. Many other artists followed his example, in places such as Italy, the Low Countries, Germany, and France. In the seventeenth century medals were extensively used to commemorate events and glorify rulers. In the eighteenth century prize medals became common. In the 19th century art medals exploded in popularity. In the early part of the aforementioned century, David d'Angers produced a great series of portrait medals of famous contemporaries and in the latter part of the century, Jules-Clément Chaplain and Louis-Oscar Roty were among many highly regarded medalists. The early twentieth century saw art medals flourish, particularly in France, Italy, and Belgium, while later in the century Czechoslovakia, Hungary, Poland, the US, Canada, and England produced much high quality work.